Gary Snyder was raised on a dairy farm in the Pacific Northwest. [he] said, nearly. etc.—and this poem looks at the end of the harvest. One can concede that the speaker is physically and mentally fatigued, his desire for a "great harvest" satiated. It first appeared in his collection ‘North of Boston’ in 1923. Insofar as this reading rejects death and immortality as one possible form of sleep in "After Apple-Picking," the commentary is consistent with a general opinion that Frost is nonteleological in his thought. active and hovering over several lines. This is the sleep of renewal. sleep” that the poet contrasts with human sleep. The source of his creativity is the assumption that his harvest has value, that the activity is worthwhile. Ask a Question + Ask Question. That sense of discipline associated with value during the apple-picking is not present in the dream. The very situation of the poem, a surcease from picking apples, recalls the Garden of Eden from which, after the apple was picked (and eaten), man was expelled into a world of sin and death. Frost’s apple-picker, a man of the twentieth century, appears to be exhibiting the spiritual ennui of the existentialist, complete with visions, hallucinations and troubled sleep. The most popular reading rejects the possibility of death. What is clear is that this description of his past activities implies a sense of relative values (fallen apples are inferior to harvested ones), but a highly ambiguous one. In this way, what might the apple picking in this poem symbolize? His day’s work is over, but the task of apple-picking is not yet complete. that he is dreaming already? in an essay for The Atlantic Monthly. Discuss. and line-length are manipulated and varied with subtlety. last line. The apple varieties available for picking, as well as the peak time for apple picking season, will depend on where you live. That darker side can be discerned by recalling what is lost by the failure of the analogy between man and nature. Of apple-picking: I am overtired Of the great harvest I myself desired. If the speaker's encounter with the apples has led him to question not just the nature, but the source of his values, then, hi sleep may be longer, even permanent. If you’re looking for more of a sit down choice, I’ve got just the spot for you. By the differing states of affairs, the speaker’s attitude is manifested to reflect the problem of the sensual experiences at differing states, where the process of sensing is problematic and is even distorted in each. The speaker's apple-picking ceases as the year nears conclusion, and his "drowsing off" is associated with "essence of winter sleep": Essence of winter sleep is on the night, After Apple-picking Robert Frost. or a sleep-inducing counting of sheep. Although Frost allows for its possibility in the reference to the woodchuck, such a sleep seems inconsistent with his larger view of man and nature. Toward heaven still, And there’s a barrel that I didn’t fill . He cannot even know the nature of his sleep, although the possibilities seem clear. They come together to create the theme of desires and significance in life. Presumably woodchucks do not dream and do not desire great harvests. The first section concludes with the speaker's commenting that he is no longer interested in picking apples, in appropriating nature to his own uses: "But I am done with apple-picking now." Apples I didn't pick upon some bough. Such a sleep, induced by physical and mental fatigue, is not a function of man's uncertain values. looked through a sheet of ice lifted from the surface of a water The lines rhyme in a varied manner. “Final sleep” is certainly one interpretation of the “long Gone is the speaker's sense of relative values. through a wham-bang rhyming couplet but more “sleepily.”, “There are many other things I have found myself saying Lunch after apple picking is a must, and your options are slim once you’re in Oak Glen. Man can climb the ladder toward heaven, toward certainty, but when he returns, he discovers how little he has learned with certainty. heaven still,” with its great weariness, and with its rumination C. c. The speaker has had too much of apple picking. If the speaker questions the purpose of his activity, doubts the value of his harvest, then indeed his may be a sleep of the creative powers, one which will last until the doubts are removed. Since this is probably more than a simple night's sleep, it is likely that the dream is much like one experienced when awake, as when a person still feels the rocking of the boat even after he has set foot on firm land. trough. They come together to create the theme of desires and significance in life. Line 1, The speaker lives in a fallen world where he has labored and sweated. If the speaker is divorced from nature, then what would "just some human sleep" be? droning rhythm of pentameter. Arranged in the order most convenient for answering them, two questions emerge in "After Apple-Picking": What is the nature of the sleep? again internally with sleep, and then again, and He has felt drowsy and dreamy since the morning when he Heap first rhymes internally with sleep, then on the harvest, the coming of winter, and inhuman sleep, the reader But the poem says that If his sleep is to be like nature's, what then is the point of the reference to the woodchuck? 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